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Al Jardine's notable quote: ”[Fleet Foxes are] awesome. They kind of have the Beach Boys vibe, too — very beautiful harmonies. They’re just taking the world by storm, and without any singles.”

ROLLING STONE ”[Fleet Foxes are] awesome. They kind of have the Beach Boys vibe, too — very beautiful harmonies. They’re just taking the world by storm, and without any singles.” Rolling Stone also reports that Fleet Foxes plan on recording on their own at Jardine's Big Sur studio and offered to appear on Jardine's long planned solo album.

OK, so “extravaganza” may be a bit much, but it’s a great, eye catching word, so what the heck? As I mentioned in a previous blog, I’ve been fortunate enough to come across several Beach Boys/Brian Wilson promo only CDs. For some reason I’m oddly drawn to these scarce discs. It’s a weird fetish. When I first got into the Beach Boys, ca. 2000, I was only dimly aware of such things as promo only releases. Around the same time I began to do some freelance music writing- record reviews, musician interviews, concert previews, etc. Since most of the deadlines for the record reviews I was assigned were tied to the record’s release date, record companies would send me advance copies of the records. More often than not, the advance copies I would receive were just the standard release with the bar code marked out. For albums I was especially keen on reviewing, e.g. Beach Boys/Brian Wilson, I also managed to obtain the advance, promo only pressing.

The allure of these advance pressings was that they enabled me to hear wonderful music well before the street date. Once the record is officially released to the masses, they lose some of their appeal, particularly because most of them are pretty bare bones. These advance promo discs are almost always pressed in the CD-R format with minimal, or no packaging. The tops of the discs usually have very rudimentary printing- just basic information like the name of the artist and the album’s title.

Nevertheless, these discs are collectable, and covetable, because of their unavailability- for the most part only record company insiders, musicians’ family and friends and select members of the press and radio are sent such discs. They’re even scarcer because only very limited amounts are pressed, usually no more than 350-500. Some journalists are uninterested in the advances they are sent, or tire of the album after they finish their reviews, so many of these discs invariable end up in the trash. All in all, they are hard to come by.

Another unique aspect of these promo discs is that they are pressed at a different date, time, and likely location, than the officially released pressing. This difference has led some collector’s websites to refer to these discs as “CD-R acetates.” I think this term is misleading. Even worse, it’s inaccurate. In my mind, acetates are discs actually pressed on acetate, not silicone CD-Rs. The special pressing/manufacturing of these promo discs lends them a mystique, albeit a limited mystique, since the actual music/sounds are identical to the official pressing. One more distinctive thing is that the discs are often individually watermarked; copies are digitally marked so they can be traced back to the source disc.

Adding to their desirability is the vaguely illicit aura surrounding them. Some record companies insist that even after they give promos away they still retain control over them. These companies contend that they can stop people from selling, trading or giving these discs away. One guy was even sued for selling promo discs on e-bay. Luckily, the federal district court judge properly applied the law and promptly threw out the music company’s frivolous lawsuit. As the district court judge wrote, “Looking to the economic realities of the transaction, [the record company’s] distribution of Promo CDs provides the recipient with many critical rights of ownership, including the right to perpetual possession and the freedom from obligations to [the record company]. Accordingly, [the record company’s] distribution of Promo CDs to the music industry insiders is properly characterized as a gift or sale, not a license, and title to the CDs transferred to the insiders.”

Unfortunately, the pig headed company appealed the trial court’s decision. A decision from the appellate court is still months away. In the meantime, the district court’s decision is the only ruling on the matter, so my promos are mine, free and clear. I can use them the same way I could any other disc I obtain though more traditional methods.

Over the up-coming 4th of July holiday I plan on scanning my discs, writing reviews, notes, thoughts, etc. and posting them on the blog. Stay tuned!

JAMBASE

I can assure Beach Boys vinyl fans that the vinyl re-issues of "Sunflower" & "Surf's Up" are definitely in stores now, despite one comment to the contrary posted on this blog. I saw both re-issues at two separate stores this week. I have not yet purchased them myself, but I plan on doing so sometime soon.

On a side note, stay tuned for an up-coming blog project I've been thinking about for a long time. Hopefully over the 4th of July weekend I'll finally get around to my Beach Boys/Brian Wilson Promo CD Extravaganza. I've managed to pick up several promo CDs released by different record companies to promote up-coming Beach Boys and/or Brian Wilson albums. I've scanned one or two of these on the blog over the years, and I've written about a few others, but I've never put them all together. My plan is to put up scans and reviews of all of the promos I've come across. I especially love collecting rare, hard-to-find, promo only Beach Boys/Brian Wilson discs and I thought there may be a few other obsessives other there who'd like to see what I've picked up.

POB/BAMBU PROMO
THAT LUCK OLD SUN PROMO (Look for an improved version of this post in the up-coming extravaganza)
BEACH BOYS 7" PROMOS

Buy "Sunflower" vinyl re-issue at AMAZON
Buy "Surf's UP" vinyl re-issue at AMAZON

Edit: I first saw these listed on the LAREGHEARTEDBOY blog.

BLOGCRITICS has a review
THE BEACH BOYS.COM has some information
AMAZON has ways to purchase

Beach Boys – “Live in London” (His Master's Choice HMC 007)

This bootleg release consists of an audio CD and a DVD housed in a small hardback book. The book is roughly 6 inches tall and 5.5 inches wide. The liner notes are ripped from Keith Badman’s book “The Beach Boys: Definitive Diary.”

The CD has twenty-five tracks from two live shows- December 1, 1968, the Palladium, London and December 8, 1968, the Astoria, Finsbury Park, London. One track from the December 1 show, “All I Want To Do,” was officially released on the ”Rarities” album.

All of the tracks from the December 8 show were released on the “Beach Boys ‘69/Live in London” album.

The HMC boot has the “raw” live recording. The officially released version had some overdubs, additional mixing, sweetening, etc. The “raw” version has been booted before.

A thorough examination of the audio disc will require more time than I have now. But, I have two CD players hooked up to my amplifier and I intend to do a close A/B analysis of the boot version versus the officially released version in the future.

Part one of my review of “LIL” will focus on the DVD. The entire 54 minute DVD consists solely of David Morse’s Beach Boys 1968 tour film. I’m not sure of the exact title of the film because it doesn’t ever appear, except on the added intro mentioned below. I could not find any details about David Morse or any of the rest of the crew listed in the end titles.

This movie was previously booted on “Video Archives Vol. 2: 1968-1969 Not For Broadcast” (Hang Ten Media HTDVD-001)

The following comments are based on the notes I made while watching the movie. I think I caught most of the highlights and the lowlights. I might have missed a few minor things, but this covers it pretty well.

There are no menus and the film just starts right up. This version has a short, 30 sec., intro not found on “NFB.” The intro doesn’t seem to have been made with the rest of the film and was probably made much later by whomever put this DVD together. It’s very simple, short edited bits from the film with some instrumental music. It ends with a title card: “Beach Boys 1968 European Tour, directed by David Morse.” The “NFB” version also has some “film lead” that’s been edited here.

Both films start with a view of a fire truck driving across the tarmac at a UK airport (Heathrow?). The song “Friends” plays in the background as the BBs get off the plane and great the cheering fans. The BBs sign a few autographs as the fans and press fawn all over them. And here we notice the first major draw-back of the film- none of the sound is synched up with the images. The film and sound were recorded separately. Even the fan noise, and other ambient noise throughout the film, seems to have been recorded after the fact to give the appearance of “live” sound. This type of sound/image pairing was not uncommon for the time. It’s unfortunate, but bearable.

The BBs pile into limos as the title “Beach Boys” appears in small, white print and grows in size and seems to be coming out of the screen. It’s a cheap effect, but the only titles on the original film.

The BBs arrive at their hotel and greet more members of the press. Some of the shots are very dark and it’s hard to make out who’s doing what. “I Was Made to Love Her” plays. Again, the press’ voices do not seem to have been recorded at the same time as the film was made.

The structure of the rest of the film bears a similarity to the much more well-known Led Zeppelin film “The Song Remains The Same” from 1976. Interspersed between footage of the band performing on stage and traveling between countries are short “portraits” of each member of the BBs. Here we get an intimate opportunity to learn more about each member and what they’re thinking. Of course, the BB version is much more simplistic and lacks many of the special effects, etc. found in “TSRTS.”

The first BB we get to meet is Bruce. We see him coming out of the tube and onto the street for some sightseeing; Big Ben can be seen in the background. Bruce buys a newspaper and then chills with some fans before taking a stroll in Hyde Park. In Bruce’s voice-over we hear him discuss how he’s been in the UK 12 times over the past 3 years, how it’s his favorite place and that he hopes to run Brother Records from the UK in the future. The last shot has Bruce in the park’s band shelter playing music maestro make believe.

Next we move to outside of the Palladium where we seem clambering fans “talking” about their favorite BB song they hope to hear in concert that night. Then we go inside to see the band on-stage for what looks like a sound check. Then we go backstage and see the BBs changing into their stage outfits- colored shirts with the famous white suits. Al takes his pants off and gives the camera a full moon. “Bluebirds Over the Mountains” begins to play as we see the band performing on stage. We also hear “Barbara Ann.” Behind the band a five-man horn section is visible. Once the clips from the show end “Sloop John B” plays and we go backstage again to watch the BBs change back into their street clothes. Dennis dances across the camera clapping his hands in a clip that’s often been excerpted for use in other films and TV programs. As Dennis changes his clothes we get to see his bare ass too and Mike in his tighty whities.

The next portion of the film takes us to a wharf on a river (Thames?). “Be With Me” plays and we see the BBs getting rowed around in a boat.

Shots of the crew loading equipment, instruments, etc. onto a truck.

Radio 1 Club, in Manchester (?), crazy fans, more signing of autographs.

“Our Prayer” plays and repeats a few times. Now we’re at a Scottish castle, it’s time for Al’s feature on the parapet roaming amongst the cannons.

Next we go inside and see Bruce playing the piano at a bar/restaurant and Al does the voice-over. Al joins Bruce at the piano and says he composed some songs at this castle last tour- “Cottonfields” and Bruce “Nearest Faraway Place.” Then we see the BBs eating mushroom soup.

We go backstage once more, we see the band getting ready, shaving, combing hair, tuning guitars, white suits and then another on-stage performance while “Fun Fun Fun” plays.

Another restaurant, more soup, they eat in their white suits, “I Can hear Music” plays. The band goofs for the camera and then poses on a balcony.

Now we’re on a train, “Busy Doin’ Nothin’” plays. It’s time to meet Dennis who’s relaxing in a sleeping compartment on the train. It’s a pretty short portrait, we see him lighting a cigarette and picking boogers from his nose.

“Bluebirds” plays as we see the band now in Germany signing even more autographs for adoring fans. A sign on a building reads: “Messe-Hallenverwaltung,” which I think means administration building. The BBs run around some trees and do some more goofin’.

Another on-stage performance while “I Get Around” plays. I should note that none of the scenes of the BBs performing on stage in this film are complete, and of course are not in-synch. Also, the whole film seems to have been filmed with a single camera, so no elaborate edits, just simple cuts. The camera is often not placed near the stage or at a good angle so the BBs are hard to see.

On the bus, on the road, an instrumental song plays, bluesy rock, I’m not sure if this is even a BBs track.

“Darlin’” plays and we’re now at the Beat Club TV show. Behind the scenes during recording, see the station’s screens with the TV director. “Good Vibrations” plays and dancers gyrate in long capes.

Walking outside, frozen lake, BBs w/out skates, “California Girls” plays.

Carl in bed loves a “nice relaxing breakfast.” Carl then goes outside to get some air, looks out the window, “God Only Knows” plays, puts on coat, outdoors in Bremen, Germany.

City, revolving door, “Do It Again” plays, outside hotel, stores, off to airport, we meet Mike drinking while waiting for the plane. Then cut to Paris with Mike walking to the Louvre as he passes a street-side public toilet. “Country Air” plays as Mike wrinkles his nose at the smell. Mike looks at stores, goes to a café and watches people, rides in a cab, and then a very-long close-up of Mike as no music plays, just car noise.

At a night-club, drinks, ladies dancing, Dennis signs a “Friends” LP, “All I Want to Do” plays.

“Friends” plays as we see the entire band on a spiral staircase. The end titles run:

Camera- Vic Kettle;
Sound- Peter Webb;
Editor- Roy Watts;
Director- David Morse

*all scans and photos courtesy of the world wide web

LETTERS FROM A TAPEHEAD BLOG

SOUTH MARYLAND NEWSPAPERS "Now [Bill Klink's] decided to take on the ocean on every beach mentioned in the Beach Boys song, 'Surfin' USA,' because 'it provided a sense of direction. I figured out where those beaches were and then went to them.' He's tackled the ones in California, and plans to venture to Australia and the western Pacific for others."

NPR

IDOLATOR "Let’s leave Pet Sounds alone for a while. Can we? Please? It’s been a good 20 years since Brian Wilson’s orchestral-pop opus of vanishing innocence became a de rigueur name drop for every self-identifying 'music connoisseur.' Let’s move on to Pacific Ocean Blue, the 1977 solo album from Dennis Wilson, the only Beach Boy who surfed, a former Charles Manson pal, and a drunk of some note at the time of its recording."

LOS ANGELES CHRONICLE "DVD bonuses include an additional 30 minutes of material focusing on the Beach Boys' Dennis Wilson, Manson follower Squeaky Fromme, and more." The film is called "The Six Degrees of Helter Skelter."

Below is some information from a Japanese website about a new Beach Boys bootleg. I think most of this stuff has already been released on other bootlegs.

The Beach Boys- "Live in London" (Book+1CD+1DVD)

The Palladium, London, December 1th 1968.
The Astoria, Flnsbury Park, London, December 8th 1968.

CD:
1. Stage Noise
2. Wouldn’t It Be Nice
3. Darlin’ 4.Sloop John B
5. California Girl
6. Do It Again
7. Wake The World
8. Bluebirds Over The Mountain
9. God Only Knows
10. Good Vibrations
11. Barbara Ann
12. All I Want To Do
13. Darlin’
14. Wouldn’t It Be Nice
15. Sloop John B
16. California Girl
17. Do It Again
18. Wake The World
19. Aren’t You Glad
20. Bluebirds Over The Mountain
21. Their Hearts Were Ful Of Spring
22. Good Vibrations
23. Announcement
24. God Only Knows
25. Barbara Ann

DVD: 1968 EUROPEAN TOUR documentary directed by David Morse (54min)