Uncanny

LONDON REVIEW OF BOOKS “The inveterate rock bias in the music papers, magazines and academia has left much dancefloor history still undocumented. The trad agenda set by commentators in the Sixties, heavy with value judgments - glorifying the work of the Velvet Underground over Motown releases, the production skills of Brian Wilson over those of Norman Whitfield, and the social significance and songwriting talent of John Lennon rather than James Brown - persists.”